Review | Scottish Opera’s The Marriage of Figaro
JUNE 3, 2026 — Sonia Hadj Said, Snack
Exceptional chemistry and performances lift this timeless story of deceit, abuse of power, love, lust, and betrayal
Deceit, abuse of power, love, lust, misunderstandings, betrayal – this perfect mix of ingredients has been brewed in Figaro’s cauldron for 240 years now. Why haven’t we moved on and deemed it as irrelevant? Is it Mozart’s undeniable genius, the always oh-so timely commentary on the use of privilege by those in power, or just a cheeky appreciation of another timeless theme: adultery? This revival of Thomas Allen’s interpretation is as classic as it is fresh, keeping this old story alive while introducing new, brilliant talent to Scotland’s opera world.
Thanks to librettist Amanda Holden’s beautiful translation, we can rely on the story being told in front of us rather than worry about getting acquainted with the plot beforehand. Before we are introduced to the idyllic set, that gives me flashbacks to Reymont’s descriptions of the ever changing seasonal landscapes in The Peasants, the orchestra wows with a beautiful melodic introduction under conductor Dane Lam’s guidance, reminding us that there is as much magic happening below the stage as there is on it.